The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. Gerbrand van den Eeckhout painted the subject of Vertumnus and Pomona at least three times. Pomona was of this class. This tapestry from the Vertumnus and Pomona set is the fifth panel out of nine, the remainder still belong to the Vienna Museum from which the collector acquired this one in 1938. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Her husband was the god Vertumnus who was associated with the change of seasons. Asia +852 2760 1766. Vertumnus enters Pomona's grove in order to … DOI link for The Fable of Vertumnus and Pomona. London +44 (0)20 7839 9060. infoasia@christies.com. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific linguistics, but reflect ancient interpretations of a deity's function. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … History. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. VERTUMNUS AND POMONA. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. The Hamadryads were Wood-nymphs. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. Vertumnus and Pomona signed 'Corneille Inv.' Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague Title: Vertumnus and Pomona; Creator: Brussels; Get the app. He tried to woo her, at first in vain, but eventually won her heart. Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Armed with this, she worked at one time, to repress the too luxuriant In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! Rembrandt - Vertumnus and Pomona. Click here to navigate to parent product. Price: US $178.00. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. Vertumnus and Pomona. 14,698-764: Iphis und Anaxarete met. [6] Vertumnus' cult arrived in Rome around 300 BC, and a temple to him was constructed on the Aventine Hill by 264 BC, the date when Volsinii (Etruscan Velzna) fell to the Romans. Propertius, the major literary source for the god, also asserts that the god was Etruscan, and came from Volsinii. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Her name came from the Latin word "pomum", which meant fruit.Her festival, which she shared with her husband Vertumnus, fell on August 13. 14,765-771: Pomona gibt sich Vertumnus hin. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. Not currently on view. V. Template:Vertumnus and Pomona; Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. He then managed to seduce her and eventually married her. Entitled: Vertumnus and Pomon. Vertumnus and Pomona. Vertumnus, either a demigod of seasons or a satyr, becomes taken with the nymph's beauty, but she ignores and rebuffs all his advances to enter her realm and remains a maiden. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. [3], The name Vortumnus most likely derives from Etruscan Voltumna. Vertumnus and Pomona Edit. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Click here to navigate to parent product. The festival of Pomona was held around November … Condition:--not specified. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Open Content images tend to be large in file-size. When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. "But," said Vertumnus, "if the tree Lot Essay The scene depicts the wood nymph … Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. In Roman mythology, Vertumnus (Latin pronunciation: [ˈwɛrtʊmnʊs]; also Vortumnus or Vertimnus) is the god of seasons, change[1] and plant growth, as well as gardens and fruit trees. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. New York +1 212 636 2000. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. The gardens and orchards tended by the goddess whom Vertumnus hopes to win are in the background. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. He was apprenticed to no less than five different masters, among them his father Cornelis Bloemaert I. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × 2,951; 4.45 MB The Entombment. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. He appeared as a reaper, fisherman and finally as an old woman. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. First Published 2019. For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Even with the disguises, she still never paid him the slightest bit of attention. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and … The fair Pomona flourishd in his reignOf all the Virgins of the sylvan trainNone taught the … Read more Provenance . Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Ovid’s tales about metamorphoses were wildly popular. The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. Open Content images tend to be large in file-size. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses. Book The Poems of Alexander Pope. According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. 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